It’s fun to watch Ada gallivant through Paris sipping wine and watching the can-can, but what makes it a truly lovely experience is the joy of seeing a good person hit the karmic jackpot. Harris’ hard work and gentle soul pays off, is the true pleasure of the movie.
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But right when it seems like the movie will end on a mournful note, a delivery arrives: thanks to the friends she made at Dior (not to mention the seizure of assets from a crooked waste manager), her kindness is richly rewarded, and Ada stands tall and proud once again. It’s the kind of work she’s been doing for decades without reward, which makes it so wonderful when she finally wears the dress - and so heartbreaking when the dress is scorched by the careless young actress ( Rose Williams) Mrs. It involves a lot of luck, certainly, but it also involves planning, scrupulous budgeting, and lots of hard work: dusting tables, mending skirts, networking. Of course this would happen.Īda’s quest for a dress does not come about by accident. When her luck turns around, Manville captures Ada’s awestruck disbelief, as when she wins her first bet when her luck seems to go sour, she’s resigned and gloomy. She’s someone who prides herself on making the best of a bad situation, because she’s had nothing but bad situations. She appears to have only two close friends, fellow cleaner Vi ( Ellen Thomas) and pub owner Archie ( Jason Isaacs). She cleans the houses of condescending, exploitative clients, who alternately nag her for clothing advice or ignore her while they talk on the phone. Her husband has been dead for years, which she only recently received closure for. She’s a working-class woman in a country with an infamously rigid class system. Lesley Manville, in fine form as always, plays Ada with winning optimism, but she also plays her as someone who has long ago accepted that good things happen to other people.
The list goes on.Īnd yet, none of this is a bad thing on the contrary, it’s a major reason why Mrs.
Harris, a war widow, to sympathize with her. The lone Harris holdout, snooty Dior director Claudine Colbert (Huppert), happens to have a husband who was badly injured during World War II, allowing Mrs. When she doesn’t have a place to stay in Paris, Dior’s accountant ( Lucas Bravo) is more than willing to play host. She wins big on a sports bet, and after losing another ends up receiving three different windfalls at once. Harris as everyone else, providing lucky break after lucky break. In addition, fate seems to be as enamored with Mrs. Another week in Paris, and she might’ve won the Nobel Peace Prize. Upon arriving in France, she charms her way into a Dior fashion show, helps modernize the company, and becomes a working-class hero to the company’s team of young seamstresses. The character of Ada Harris is shown to be kind, generous, devoted, hard-working, honest, and effortlessly charming in fact, one of her few flaws is that she is sometimes too generous. Harris appears to be dealing from a stacked deck. Harris wants, but the fact that the audience badly wants her to get it, which she does, and much more besides. But she could have gone to Switzerland for her very own cuckoo clock and the film’s primary pleasure would be fundamentally unchanged. Ada’s quest for a Dior gown does provide some class commentary, raising the question of why some people are seen as inherently more worthy of finery than others. Harris indulges in Parisian glamour, as well as the subsequent culture clash with blithe, unpretentious Ada (she introduces her new friends to a dish called “toad in the hole”), the French setting is ultimately just the icing on the cake - or the eclair, as the case may be.
Harris Goes to Paris’ Review: A Delightful Tale Brimming With Humanity, Joy, and Heart
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